With a career shaped by theater, improvisation, and television, Aaron Stall stands out for his versatility and on-screen charisma. From his unexpected breakout on Good Morning America as Los Angeles’ most stylish Uber driver to roles in projects like Victorious and national ad campaigns, the American actor reflects on his journey, the power of comedy, the value of improv, and his passion for creating joyful experiences—especially for younger audiences.
Your background in theater and improvisation seems central to your career. How has that foundation shaped the way you approach character development?
I approach character development with a balance of deep investigation and light spontaneity. From theater, I learned the discipline of finding meaning in every word, silence, and stage direction and discovering what my character thinks of others and what they think of me. But I also use improv to stay present and open to realtime epiphanies. It’s not enough to just follow the script; you have to use tactics to get what you want from the other characters. By staying receptive to what my scene partner is giving me in the moment, the performance stays grounded, savvy, and most importantly, interesting.
You gained major attention after appearing on Good Morning America as Los Angeles’ most stylish Uber and Lyft driver. How did that unexpected moment impact your artistic journey?
It was a wild moment that definitely boosted my visibility! It gave casting directors and producers a fun, positive hook to associate with my name. In an industry built on storytelling, having a ‘story’ like that helped me get my foot in the door. I enjoyed using that momentum to segue into conversations about my more serious artistic projects.
Working across very different projects—from Victorious (Nicklodeon) to national commercial campaigns—requires versatility. What draws you to such varied creative spaces?
I’m genuinely drawn to the discovery phase of a new role. Whether it’s a sitcom like Victorious or a national commercial, the core reward is the same: delivering lines that feel authentic to that specific human being. To me, acting is a muscle; staying open to different genres and acting mediums keeps that muscle sharp. I’m just lucky to be in a position where I can play in so many different creative sandboxes.
Comedy and improvisation are key elements of your work. What does humor allow you to express that other genres might not?
Comedy is communal. While drama is powerful, humor allows for a specific kind of ‘playtime’ that feels like being a kid again. I love the absurd and the melodramatic; the kind of humor that makes people forget the real world for a second. Making an audience laugh is intoxicating, and can even be healing. For me, whether it’s a scripted scene or a collaborative moment in an improvised scene, it’s about that shared moment of joy.
You’ve performed at the iconic Magic Castle, a venue surrounded by creativity and mystery. What was that experience like, and how did it influence you as a performer?
I spent years as an emcee at the Magic Castle, which was an incredible masterclass in performance. While I’ve performed a few tricks, my real work was delivering the rules of the club in a fun way that warmed up the crowds and gave the magicians a roaring applause upon grand entry to their show, keeping the energy high 10 times a night. It taught me that a great show isn’t just about technical skill or the ‘trick’: It’s about the script, the music, and the confidence of the performer. It’s a huge compliment when magicians ask me, knowingly, when I’m doing my next magic set it means the theater training is working!
Outside of acting, you’re actively involved in environmental and animal welfare causes. How does this commitment influence your professional choices?
This is a deeply personal journey for me. While it hasn’t changed my professional choices overnight, it definitely affects how I show up on set. I try to stay vegetarian and mindful. I really look up to someone like James Cromwell, who found a deep respect for animals through his work. I realize we live in a world where choosing compassion over convenience isn’t always easy or cheap, so I just focus on doing my part to reduce suffering within my own life and budget.
Looking ahead, what kinds of projects or artistic challenges are you most excited to explore in the coming years?
I am incredibly excited to do more work involving kids! Outside of traditional acting, I spend a lot of time playing superheroes for children’s events and doing ‘hero training’ and games. There is an unmatched joy in bringing out a child’s laughter. Any project that allows me to bring that kind of jubilation, silliness, and wonder to an audience and especially if it’s a younger audience is something I will jump at immediately.
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