A rising star in fashion, theater, and television, child actor Levi Asaf has been building a career marked by talent, sensitivity, and artistic dedication. After winning over audiences with characters like Marcelino in “Amor Perfeito,” he is now preparing to move audiences again in “A Nobreza do Amor,” where he plays Vitalino, a role inspired by Mestre Vitalino, one of the most important figures in Brazilian folk art.
In the interview, Levi recalls the moments when he realized that acting had become a true dream, talks about his fascination with the world of clay and ceramics in preparation for his new work, and also gets emotional when discussing his interaction with Zezé Motta backstage. Between faith, family, and constant dedication, the young artist also reveals the scope of his dreams: to continue inspiring other children and, who knows, maybe one day bring an Oscar to Brazil.
Levi, you started very young, first as a model and then gaining recognition in theater and television. At what point did you feel that acting had stopped being just an opportunity and had become a true dream?
I believe it was when I performed to a packed theater and also when I saw myself on television for the first time.
You’ve already played some very memorable characters despite being so young, like Marcelino in “Amor Perfeito” and now Vitalino in “A Nobreza do Amor.” What do you feel has changed in you as an actor from one role to the next?
They are completely different characters, with different accents, and also different ages.
Vitalino is a character inspired by Mestre Vitalino, such an important name in Brazilian folk art. How was it for you to discover this universe and understand that your character also carries this symbolism?
I already loved making sculptures with clay and I loved the idea of paying homage to Master Vitalino.
To portray Vitalino, you took pottery classes and immersed yourself in the character’s craft. What most captivated you about this preparation and the contact with clay as an art form?
I already loved shaping pieces with clay and mud, but what fascinated me the most was the potter’s wheel.
In “The Nobility of Love,” you work directly with Zezé Motta, such an important actress in our dramaturgy. What has that exchange with her been like, both behind the scenes and on screen?
I’m enchanted by Grandma Zezé. She’s wonderful in every way… I just want to take her home with me, you know? I love her so much and I’m very grateful to be on stage with this marvelous queen. And our interaction backstage is full of affection and warmth.
The telenovela is described as an Afro-Brazilian fable and blends different cultural universes within the story. What was it like for you to enter such a rich world, so different from other productions you’ve done?
I cried tears of gratitude and emotion. The story is beautiful, impactful, and very necessary. And to be able to be in the middle of it, telling this story alongside so many beautiful and precious people, is overwhelming for my heart.
Besides television, you’ve also shone in theater and Carnival, and you’re always studying. What motivates you most to keep learning and dedicating yourself so much, even with such a successful career already?
What motivates me most are my dreams, which never stop, my faith, my family, and especially the joy I feel when I step onto the set and never want to leave.
When you look at everything you’ve experienced so far — from the stage to television, and even the Beija-Flor samba school — what kind of artist do you dream of becoming in the future?
From the bottom of my heart, I have a huge dream of bringing an Oscar to Brazil one day. But the actor I aspire to be is one who can convey magic and inspire others, especially children, to never give up on their dreams.
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